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Josh Lucas on Death in Love

I chatted with Josh Lucas, star of Death in Love, Boaz Yakin's personal and uncompromising latest film about a Holocaust survivor and her family.  As you can imagine, it's a pretty heavy film and it wasn't an easy experience for Josh.  I was really surprised with his honesty in this interview, and he gives us an interesting look at the process behind making such a personal film.

Here's how the Sundance Guide describes Death in Love:
What burdens do the survivors of those who survived carry? A young woman in a Nazi concentration camp saves her life by seducing the young doctor who performs medical experiments on prisoners. Cut to decades later, when that same woman (played by Jacqueline Bisset) is living in New York City and married with two grown sons.

The two siblings have developed differently under a mother with a long history of erratic behavior. The younger one can’t cope at all, and the older one copes too well. Portrayed by Josh Lucas, he is now 40 years old and hides out in psychosexual escapades and a job at a fraudulent modeling agency scamming the young and hopeful. He is good at them both--too good. So why is he growing increasingly frightened? Is he losing his game? His sexual prowess and intellectual diatribes no longer make him feel better. He will have to change to survive.

Boaz Yakin returns to Sundance with a wonderfully insightful, yet personal, film about family, guilt, ambition, lust, and the impossible task of trying to live without them. The detailed performances of the talented cast capture the subtleties of characters maneuvering through a minefield of family relationships. Death in Love reminds us that no matter how much we wish it weren't so, our actions reverberate and affect others in monumental ways, especially those who love us.

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Wow.  I've seen a lot of good interviews, but this one struck me differently.  First of all, Josh strikes me not just as someone who LIKES his JOB, but as someone who is SERIOUS about a PASSION, and I was very impressed.  Maybe it was the seriousness of this film in particular, but I don't think it was just that.

Also, I could really relate to the "ritual".  Maybe it's my own personal connection to the ocean, but I can completely understand how releasing specific "troubles" (for lack of a better word right now) at the ocean would be helpful and healing.
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